The WGS program has several “in-house” staff and employees, including two tenure-track professors, a senior lecturer, a program administrator and a full-time director, usually “borrowed” from another department for a period of 3-5 years. Along with the graduate director and undergraduate director (when the people in these positions are not already “in-house”), these WGS people make up the administrative team, and meet once or twice a month to deal with administrative decisions.
Department of English
|Ph.D University of Pennsylvania
|Sarah Jane Cervenak|
Director of Undergraduate Studies
Women's and Gender Studies/African American Studies
|Ph.D New York University
Sarah Jane Cervenak is an assistant professor, jointly appointed in the Women’s and Gender Studies and African American Studies programs at the University of North Carolina, Greensboro. Her areas of research and teaching are critical race theory, feminist theory, Black studies, performance studies and philosophy. Her current work queries the Black radical, feminist potential of gathering in the art of Leonardo Drew, Gayl Jones and Wangechi Mutu. She is the author of Wandering: Philosophical Performances of Racial and Sexual Freedom (Duke University Press, September 2014). She has also published in the academic journals Discourse, Palimpsest: Women, Gender and the Black International, and Spectator as well as in anthologies on feminism and the African American novel respectively.
|Elizabeth L. Keathley |
Director of Graduate Studies
School of Music
|Ph.D SUNY Stony Brook
Elizabeth L. Keathley, Associate Professor of Historical Musicology and Women's and Gender Studies, is a native of California and earned her MA and PhD in Music, as well as an Advanced Certificate in Women's Studies, from Stony Brook University in New York. Her dissertation addressed Arnold Schoenberg's short opera Erwartung (Expectation), composed in 1909 on a libretto by Dr. Marie Pappenheim. Professor Keathley teaches courses in the History of Western Music, Music after 1900, Opera, and World Music for both music majors and non-majors, and freshman seminars in fine arts for Honors students, including Music and Society. She also teaches graduate seminars in the musical cultures of fin-de-siècle Vienna and Paris, and of Spain and Latin America, as well as in music, gender, and sexuality. She is a Faculty Fellow of the Lloyd International Honors College and has earned the UNCG Alumni Teaching Excellence Award. Keathley happily serves on the graduate committees of several bright and industrious graduate students; her students have earned distinctions for their scholarly accomplishments, including awards, scholarships, and publications.
|Danielle Bouchard |
Past Director of Undergraduate Studies
Women's and Gender Studies
|Ph.D University of Minnesota
Danielle Bouchard earned her Ph.D. in Feminist Studies from the University of Minnesota in 2006. Her scholarly interests include postcolonial and poststructuralist feminisms, contemporary continental philosophy, critical university studies, and cinema and visual media studies. Her first book, A Community of Disagreement: Feminism in the University (Peter Lang 2012), uses the philosophical concept of disagreement to read, and provide alternatives to, the most common ways in which feminism's place in the modern US university is imagined. She is currently working on a new book project that examines the role of visual tropes, texts, and technologies in hegemonic articulations of human rights.
WGS Internship Coordinator (Starting Fall 2016)
|Ph.D University of Wisconson - Madison
Lisa Levenstein is Associate Professor of History. She is the author of A Movement Without Marches: African American Women and the Politics of Poverty in Postwar Philadelphia (UNC Press, 2009), which was co-winner of the Kenneth Jackson Book Award from the Urban History Association and received an Honorable Mention for the Frederick Jackson Turner Award from the Organization of American Historians. Levenstein has published award-winning articles in Feminist Studies and the Journal of Women’s History and recently co-authored, “The Big Tent of U.S. Women’s and Gender History: A State of the Field,” Journal of American History (December 2012). She has received several grants to support her two current projects on the displaced homemakers campaign of the 1970s and the Beijing Women’s Conference of 1995.